THE ART OF PRACTICE
Practice is the preparation for a specific event. It involves what you do as well as how you accomplish what you do. I believe in practicing with a purpose. One’s purpose is defined by personal goals. Without an aim, or reason for doing anything, progress will be non-existent or minimal. “Practice is an ordered activity toward the service of an aim,” Robert Fripp, The Art of Craft. I’m repeatedly asked “How much should I practice”. My response would be based on your goals. Do you want to be a professional, or just play for fun? Do you want to be in a band or record a CD? Do you want to teach or write instructional books? How do you want your audience to describe your playing as “awesome,” “incredible,” “pretty good,”or “not bad?” Your goal or reason for learning the guitar will determine your level of commitment, and your approach to practice. “Commitment is a measure of our unity, our personal integrity,” R. Fripp.
After setting goals, determining your level of commitment, and examining any time constraints (sports, clubs, activities), you devise a plan. Not having a plan and a goal for your practice sessions will achieve accidental results at best. Your practice regimen could be this simple:
1. Tune your Guitar – An important element in your ear training.
2. Warm Up – Exercises and scales, building hand/mind awareness and coordination.
3. Challenging – Whatever is the hardest, most confusing, or the newest material. Apply a targeted focus at the beginning of your practice session.
4. Fun – songs you can play or songs you enjoy. Always end on a positive note or you will be reluctant to practice tomorrow.
You should never play without tuning, and never play without warming up. Warming up has more to do with telling your hands that they’re going to play the guitar now than their temperature. Anything that is hard for you to play, or new should always be toward the beginning of your practice sessions to ensure adequate energy and attention. Your last minutes of practice should be positive and confidence building. Leave the fun songs or pieces you know well for last, so you feel good about what you’ve just done. As you become more advanced, practice sessions can be divided into Music Theory, Exercises, and Songs.
In conclusion, it’s important that you apply your full mind and body to practicing the guitar. You can’t make progress by just going through the motions. Bad habits, poor posture, poor tone, and frustration can all be attributed to a lack of attention. It is your fault and your responsibility. Where you are now, is exactly where you want to be. Change your thinking and your guitar playing will follow. “Establish the possible and move gradually toward the impossible,” R. Fripp. Decide now if you want to be a musician for life or if you’re playing the guitar as part of a phase. Life is too short to not know the answer to this question. Make yourself an assignment sheet or monthly calendar and use it to stay focused.